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AUSGEWÄHLTE ARBEITEN AUF PAPIER VON MAX LIEBERMANN BIS GERHARD RICHTER
Exhibition: November 29, 2001 - January 26, 2002 |
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Max Liebermann (1845-1935) NETZFLICKERINNEN [Women Mending Nets] Etching, worked over with pencil and chalk. 1894. Signed in pencil lower right. On firm brownish paper. Reference: Schiefler 33 I (of III b) Image size: 233 x 313 mm (298 x 438 mm) |
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Edvard Munch (1863-1944) KRISTIANIA BOHÊME I [Kristiania Bohemians I] Etching and drypoint, printed in brown. 1895. Signed and inscribed in pencil lower right. Also signed by the printer, Felsing. On firm cream wove. Reference: Woll 15 c III; Schiefler 10 II d Image size: 219 x 298 mm (343 x 494 mm) |
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Karl Schmidt-Rottluff (1884-1976) GEHÖFT IM MOOR [Farm in the Moor] Chalk lithograph. 1907. Signed and dated in pencil lower right within the subject. Monogram on the stone lower left. Titled in pencil in lower left corner. On cream firm wove. Reference: Schapire L 17 Image size: 232 x 352 mm (315 x 450 mm) |
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Max Pechstein (1881-1955) FABRIK [Factory] Lithograph in gray and black. 1908. Signed and dated in pencil lower right. On Silk Blotting Huber Frères-paper. Reference: Krüger L 44 Image size: 337 x 409 mm (443 x 580 mm) |
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Erich Heckel (1883-1970) MÄNNERPORTRÄT (SELBSTBILDNIS) [Portrait of a Man (Self-Portrait)] Lithograph. 1909. Signed and dated in pencil lower right. Edges of the stone showing remarkable relief on verso. On cream firm wove. Reference: Dube L 127 I (of II) Image size: 329 x 273 mm (440 x 372 mm) |
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Max Pechstein (1881-1955) VARIETÉTÄNZERIN [Music-Hall Dancer] Lithograph printed in black, blue and red. 1909. Signed with the monogram and dated lower left. Blue and red printed in the manner of a monotype. A unique impression with all signs of a proof and traces of the work process recto and verso. Reference: Krüger L 79 Stone: 380 x 277 mm (542 x 385 mm) |
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Emil Nolde (1867-1956) SEGLER UND DREI KLEINE DAMPFER [Sailing Boat and Three Small Steamers] Line etching and tonal etching. 1910. Signed in pencil lower right. On heavy white wove. Before the later edition on watermarked paper. Reference: Schiefler/Mosel 140 Image size: 310 x 410 mm (449 x 554 mm) |
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Emil Nolde (1867-1956) FISCHDAMPFER [Fishing Steamer] Woodcut. 1910. Signed in pencil lower right. Entitled at the bottom sheet edge by the artist's wife, Ada. On medium thick tan Asian paper. One of only 13 impressions. Reference: Schiefler/Mosel 34 II Image size: 290/293 x 398 mm (420 x 535 mm) |
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Emil Nolde (1867-1956) JOHANNA [Johanna] Brush lithograph. 1911. Signed in pencil lower right. Inscribed 2 lower left. On thin light tan Asian paper. A superb deep black impression of this large lithograph. Reference: Schiefler/Mosel 38 II Image size: 495 x 425 mm (575 x 462 mm) |
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August Macke (1887-1914) BADENDE [Bathers] Linocut. 1912. Printed in blueish-black ink on thin fibrous Japan. Scarce, one of only two known impressions. Image size: 235 x 300 mm (250 x 408 mm) |
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Wilhelm Morgner (1891-1917) MANN MIT LORE [Man with Trolley] Woodcut. 1912. Signed and dated in black pen and ink lower right. Inscribed lower left. Handprinted on thin cream laid Japan. Reference: Witte 17; Tappert 21 Image size: 380 x 582 mm (488 x 645 mm) |
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Emil Nolde (1867-1956) JUNGES MÄDCHEN [Young Girl] Woodcut. 1912. Signed in pencil lower right and dated lower left. On warm yellowish Asian paper. Extremely rare. Only two impressions in the first state and 13 in the second. Reference: Schiefler/Mosel 106 II Image size: 223 x 322 mm (277/290 x 363 mm) |
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George Grosz (1893-1959) SALONSZENE [Drawing Room Scene] Pen and ink drawing in brown. 1913. Signed and dated in pencil lower right. Verso with chalk study of a hand, the estate stamp and number. On yellowish thin paper. Image size: 210 x 255 mm (228 x 288 mm) |
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Karl Schmidt-Rottluff (1884-1976) BUCHT AN DER NEHRUNG [Bay Near the Spit of Land] Woodcut. 1913. Signed in pencil lower right. On cream laid paper. Reference: Schapire 121 Image size: 275 x 343 mm (369 x 413 mm) |
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Erich Heckel (1883-1970) ZWEI MÄNNER AM TISCH [Two Men at a Table] Woodcut. 1913. Signed in pencil lower right. Signed with initials within the block. Handprinted impression on cream laid paper. Reference: Dube 250 II Image size: 220/238 x 236/261 mm (433 x 512 mm) |
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Moriz Melzer (1887-1966) KREUZIGUNG [Crucifixion] Monotype printed in 14 colors. c. 1915. Signed in pencil within the subject lower left. On thin firm Japan. Sheet size: 485 x 337 mm |
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Karl Schmidt-Rottluff (1884-1976) FRAUENKOPF [Woman's Head] Woodcut. 1915. Signed in pencil lower right. On JW Zanders laid paper. Reference: Schapire 184 Image size: 358 x 290 mm (525 x 405 mm) |
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Otto Lange (1879-1944) STILLEBEN MIT WEISSEM GIPSKOPF [Still-Life with White Plaster Head] Woodcut printed in colors, in the manner of a monotype. 1916. Signed in pencil lower right and inscribed lower left. Entitled on verso and inscribed Jeremias. On Japan. Reference: Boettger 132 Image size: 762 x 563 mm (788 x 592 mm) |
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Lyonel Feininger (1871-1956) ABENDGRUSS [The Evening Greeting] Etching. 1916/17. Signed and dated in pencil lower left. On cream laid paper. Reference: Prasse E 59 Image size: 138 x 215 mm (253 x 311 mm) |
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Max Beckmann (1884-1950) SELBSTBILDNIS VON VORN, MIT HAUSGIEBEL [Frontal Self-Portrait with House Gable in Background] Drypoint. 1918. Signed in pencil lower right and numbered 4/30 lower left. On medium-heavy wove with deckled edges on all sides. From the total edition of 150 of which 30 were numbered by Gunther Franke. Reference: Hofmaier 125 II B b Image size: 304 x 257 mm (534 x 380 mm) |
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Lyonel Feininger (1871-1956) SPAZIERGÄNGER [Strollers] Woodcut. 1918. Signed in pencil lower left. One of 10 handprinted impressions printed on fine handmade Japanese Kozo-paper aside from the edition of 120 on imitation Japanese laid paper. Reference: Prasse W 113 Image size: 370 x 295 mm (417 x 353 mm) |
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George Grosz (1893-1959) NACHTS [At Night] Pen and ink drawing. 1919. Signed and inscribed in pencil lower right. Numbered 34 lower left. On firm wove paper. Sheet size: 511 x 363 mm |
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Walter Gramatte (1897-1929) SELBSTBILDNIS [Self-Portrait] Chalk lithograph, handcolored by the artist. 1919. Signed in pencil, dated and inscribed lower right. On wove paper. Reference: Eckhardt 73 Image size: 505 x 305 mm (602 x 420 mm) |
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Max Beckmann (1884-1950) FRAU MIT KERZE [Woman with Candle] Woodcut. 1920. Signed in pencil lower right and numbered XII/XXX lower left. From the edition of 50 on Japan. Reference: Hofmaier 171 III B b (of d) Image size: 300 x 148 mm (411 x 253 mm) |
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Lovis Corinth (1858-1925) AUS DEM TIERGARTEN [Tiergarten] Drypoint. 1920. Signed in pencil lower right and numbered 50/50 lower left. On firm handmade JW Zanders wove paper. Reference: Schwarz 397 Image size: 247 x 322 mm (346 x 487 mm) |
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Ludwig Meidner (1884-1966) SELBSTBILDNIS [Self-Portrait] Chalk lithograph. 1920. Signed in pencil lower right. Inscribed 1 lower left. On handmade laid paper. Reference: Flammann 74 Image size: 560 x 435 mm (621 x 512 mm) |
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Conrad Felixmuller (1897-1977) BRÜDER AM RHEIN [Brothers at the Rhine] Drypoint. 1920. Signed in pencil lower right and dated, numbered and inscribed lower left. On cream wove paper. One of only 6 to 8 impressions from the planned edition of 30. Reference: Söhn 217 Image size: 265 x 279 mm (385 x 333 mm) |
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Johannes Molzahn (1892-1965) MEINER FRAU [FOR MY WIFE] Etching printed in brown. 1920. Signed in pencil and dated lower right. On brown laid paper. Reference: Salzmann 26 Image size: 184 x 118 mm (496 x 330 mm) |
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Max Kaus (1891-1977) KANALLANDSCHAFT II [CANAL LANDSCAPE II] Lithograph. 1920. Signed in pencil and dated lower left. On thin soft Japan. Reference: Brücke Museum 44 Image size: 381 x 487 mm (447 x 578 mm) |
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Lovis Corinth (1858-1925) TOD UND KÜNSTLER (SELBSTBILDNIS) [Death and the Artist (Self-Portrait)] Soft ground etching. 1920/21. Signed in pencil lower right. Inscribed lower left. On blue-green ribbed Japanese-like paper. A proof before the edition of 25 on Japan and a further 70 on laid paper. Reference: Müller 546 Image size: 238 x 179 mm (340 x 249 mm) |
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Lothar Schreyer (1886-1966) DER LÜSTERNE MANN [The Lascivious Man] Color lithograph printed in gray, red, blue, ochre, black and gold. 1921. Signed and inscribed in pencil lower right. Inscribed further lower left. On firm card. Sheet size: 398 x 298 mm |
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Lothar Schreyer (1886-1966) DER LÜSTERNE FRAU [The Lascivious Woman] Color lithograph printed in gray, red, blue, ochre, black and gold. 1921. Signed and inscribed in pencil lower right. Inscribed further lower left. On firm card. Sheet size: 398 x 298 mm |
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Max Beckmann (1884-1950) SELBSTBILDNIS MIT STEIFEM HUT [Self-Portrait with Bowler Hat] Drypoint. 1921. Signed in pencil lower right. Inscribed in another hand lower left. On cream laid paper without watermark. Reference: Hofmaier 180 III B (of IV B) Image size: 323 x 245 mm (496 x 336 mm) |
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Max Beckmann (1884-1950) TOTENHAUS [Morgue] Woodcut. 1922. Signed in pencil lower right. Numbered 15/35 lower left. On cream laid paper. Reference: Hofmaier 252 II B Image size: 374 x 474 mm (530 x 614 mm) |
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Walter Gramatte (1897-1929) ERMÜDETER MANN [Tired Man] Etching printed in colors. 1922/23. Signed and dated in pencil lower right. On a large sheet of firm yellowish paper. Reference: Eckhardt 166 Image size: 213 x 164 mm (532 x 342 mm) |
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Karl Hubbuch (1891-1979) NOTAUSGÄNGE DER EHE [Emergency Exits of Marriage] Lithograph. 1923. Signed in pencil lower right and numbered 6/25 lower left. On glossy firm paper. Reference: Riester 69 Image size: 390 x 360 mm (594 x 449 mm) |
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Otto Dix (1891-1969) KUPPLERIN [Procuress] Color lithograph printed from three stones (vermillion, golden yellow and cobalt blue). 1923. Signed and dated in pencil lower right and numbered 13/65 lower left. On thin white laid paper. Superb colors. Reference: Karsch 69 II Image size: 480 x 367 mm (596 x 464 mm) |
) | Max Beckmann (1884-1950) DIE PELZMÜTZE [The Fur Hat] Drypoint. 1923. Signed in pencil lower right. One of only a few on Japan. From the total edition of probably 50 on several papers. Reference: Hofmaier 259 B a (of c) Image size: 330 x 219 mm (477 x 320 mm) |
) | Jeanne Mammen (1896-1976) KURFÜRSTENDAMMPAAR [Kurfurstendamm Couple] Lithograph worked over with watercolor. 1930. Signed in pencil lower right. Numbered 5/6 lower left. On firm wove paper. 6 impressions are recorded in the catalog raisonne of which two are handcolored Reference: Döpping/Klünner D 14 Image size: 450 x 340 mm (638 x 487 mm) |
) | Jeanne Mammen (1896-1976) BRUSTBILD EINER FRAU MIT GELOCKTEM HAAR [Half-Length Portrait of a Woman] Pencil drawing. 1932. Signed with the monogram lower right. On thin wove paper. Reference: Döpping/Klünner Z 367 Image size: 465 x 238 mm (503/508 x 332/347 mm) |
) | Rolf Nesch (1893-1975) TÄNZERIN [Dancer] Etching. 1932. Signed in pencil lower right. Entitled and inscribed lower left. On smooth wove paper. Image size: 554 x 398 mm (592 x 458 mm) |
) | Georg Muche (1895-1986) DIE WELT DER SPINNE II [The Spider's World] Pencil drawing. 1948. Signed and dated in pencil lower right within the image. Titled lower left. On sturdy cream card. Image size: 420 x 250 mm (427 x 262 mm) |
) | Willi Baumeister (1889-1955) ALLEGRO [Allegro] Screenprint. 1954. Signed in pencil lower right within the subject. On strong brownish wove paper. Reference: Spielmann 33 Image size: 358 x 497 mm (557 x 637 mm) |
) | Gerhard Richter (b. 1932) ELISABETH I [Elisabeth I] Offset lithograph in shades of gray to gray-blue. 1966. Signed and dated in pencil lower right. Titled and inscribed lower left. On card. Reference: Butin 5 a; Vogel und Block 4 a Sheet size: 731 x 601 mm |
) | Sigmar Polke (b. 1941) FREUNDINNEN I [Girlfriends I] Offset lithograph. 1967. Signed and dated in pencil lower right. Titled and inscribed lower left. On card. Reference: Becker/von der Osten 3 Sheet size: 731 x 601 mm |
) | Gerhard Richter (b. 1932) KOMPOSITION [Composition] Oil and mixed media on card. 1994. Signed and dated in pencil lower right below the image on the original support sheet. Signed and dated again on verso. Sheet size: 210 x 296 mm |
